“To the choirmaster. A psalm of David. A song.”
This psalm is a song. Read the heading again. It is a song. It is an infectious song. This psalm draws us in. We want to sing it. And the introduction is simple. It is easy to ignore. But let’s slow down to meditate on those two simple words—“a song.”

First, the 65th Psalm is a song. It is the first of four songs. Psalms 65, 66, 67, and 68 are all “songs.” The tone of these four songs is notably different than the psalms that have preceded. Though there have been notes of confidence, lament and supplication have dominated, whereas now, praise and adoration come to the fore.
Second, the 65th Psalm is a song. This song has three distinct parts, so distinct, some have speculated that we have three psalms that have been joined together. Throughout the psalm, God is praised, but in verses He is the Redeemer of Israel, in verses 5–8 He is the Creator of the world, and in verses 9–13 He is the Lord of the harvest.
But this is “a psalm of David” that is “a song.” How then are the three stanzas of related? Yes, God is praised throughout, but is that all that unifies this psalm as a song? We can imagine the cheap country song that praises a woman first as a daughter, then a wife, and finally a mother—different themes, same woman. Is that all that is happening here? God is praised as the God of Israel, the God of creation, and the God of the harvest—God is the unity, but is that all the unity there is?
Or think of it this way. God is at the top, sovereign over all these things. But, is God also at the bottom? Is there a unity on the other side of these things? An author may write three books, but that is different than writing three books that are a unified series. Is this psalm telling us that God is an amazing author of a number of amazing but independent books? Or is it telling us that God has written an epic series? What we are really asking is this, is there a unity in God’s work? We may praise God as the Redeemer of Israel, the Sovereign of the Earth, and Lord of the Harvest, but do we need three songs, or three unrelated stanzas to do so? God is the unifying center of all three stanzas, but does God unify the themes of all three stanzas? Are God’s acts in creation unified with His acts of redemption?
God does not have a number of projects which He has taken on independent of one another. Perhaps you’ve walked into the garage or shop of a friend to see an overwhelming number of totally diverse and unrelated projects—very few of them completed. The difference between God and that man is more than that God finishes all that He takes on and that He does it with excellence. He not only does all things perfectly, He does them purposefully—He does them with a singular purpose such that we may sing a song.
So again, how do these three stanzas relate? Here’s the answer I believe emerges from this song: God’s redemption of His people subdues the world, renews the earth, and demands praise. It is this very redemption that leads Paul to offer of the praise due to God exclaiming that all things are from Him, through Him, and to Him. All these themes come together in the redemption of Christ. If you can’t see this, I’m afraid your gospel is too small and a small gospel means a small song. Our God is due much more.








