Come and see what God has done:
he is awesome in his deeds toward the children of man.
Come and hear, all you who fear God,
and I will tell what he has done for my soul.
—Psalm 66:5, 16
Here we have both a song to sing and a song to hear. We have a choir and a soloist. We might expect a song to swell from a soloist to a choir. Or, we may be prepared for a song to have a quiet resolve as it moves from the choir to a soloist. What is unexpected is for a song to swell and build from a choir to a single voice.

Our song opens with the choir of Israel inviting the nations to sing. It closes with a soloist inviting Israel to hear. And as it does so, the song swells. Here we find both a song we are to sing and a song we are to hear. The solo we are invited to hear is the louder and sweeter stanza.
Who may sing such a solo to rise above the collected shout of the redeemed? From one perspective, we cannot be certain. The psalm is unattributed. Yet, I am certain, that the Psalter itself wants us to think of the king. There are three reasons for this.
Fist, there is the Davidic context of the psalm. The Psalter is divided into five books. Book Two begins with the 42nd Psalm and ends with the 72nd. Of these thirty one psalms, only four are not attributed to anyone. And one of those, the 43rd Psalm, is clearly linked with the 42nd which is ascribed to Korah. Now we’re down to three. The 66th Psalm is then the first truly unattributed psalm we have seen in the second book. Psalms 51–65 have all been attributed to David. Psalms 68–70 are attributed to David. In between we have two unattributed “songs.” They are part of a collection of four “songs” (see the headings for Pss. 65–68). This psalm is one of two unattributed “songs” sandwiched between two “songs” attributed to David—all enmeshed in a larger David’s collection. This psalm has a Davidic context.
Second, the number sacrifices offered suggest a great man of great means (vv. 13–15). Who else may present such sacrifices but the king? It is David who has been making and fulfilling such vows within this book (cf. Pss. 56:12; 61:5–8;). Finally, the king represented Israel. He was their federal head. Transitioning from Israel to the king is the most natural transition we can imagine to take place.
Who may out sing the kingdom? Their King. Who may out sing the redeemed? Their Redeemer. The choir of Israel invites the nations to come and see. The Soloist, who is their King, invites the true Israel of God to come and hear. They hear a better song than they sing. His invitation stands behind their invitation. Because the King says to His kingdom “Come and hear,” the kingdom may then turn to the nations and say, “Come and see!”








